Lisa Bartolozzi
Artist Statement for
‘The Susanna Series’
Truth
and Falsehood went bathing, Falsehood dressed in Truth’s clothes, and
Truth, refusing to take another’s clothes, went naked.
-Anonymous
Now
then, if thou hast seen her, tell me, Under what tree sawest thou the companying
together?
- History of Susanna,
Book of Daniel
This ongoing series of drawings and paintings was inspired
by the History of Susanna, an apocryphal story from the Book of
Daniel. This Biblical tale has often
been a theme explored in Western Art History as Susanna and The Elders. As Truth chose to be Naked, Susanna had no
choice but to become naked in her vulnerability as a woman in a patriarchal
society. The safety of her private garden having been violated by two lecherous
elders, exposed her to a decimation of her character, and a threat to her very
life. In numerous paintings often created
for the male gaze, Susanna’s state of undress could be viewed as ‘naked’,
verses ‘nude’, just as her response was often one of passivity and an object of
desire.
In sharing this story with my models, some of whom were
friends or professional artist models, we explored numerous concepts of the
story:
I The joy and enjoyment of bathing one’s
body while enclosed in own’s private garden.
II The
initial awareness of a threat or intrusion.
III The
unfiltered reaction to the violation.
IV Confronting
the violence with freedom and resolution.
The Susanna story ends when the Child prophet, Daniel,
exposed the Naked Truth of Susanna’s innocence and justice prevailed through
divine intervention, creating a Morality Tale. One can also interpret this
story about the vigilance needed to correct the unjust thoughts we subject our
mind into believing about our bodies. The ‘enclosed garden’ can symbolize an
innocent state of mind about one’s own body temple. At any point in one’s lifetime, violations,
coming both from without and within, assault our consciousness, corrupt our
self-image, and create beliefs that do not serve us.